03 Jul 2025
Review: Glastonbury Festival 2025
With a lineup that included So Young cover stars, regular favourites and new tips, we were privileged to be on site for Glastonbury 2025. This is how it went – for us.
With a lineup that included So Young cover stars, regular favourites and new tips, we were privileged to be on site for Glastonbury 2025. This is how it went – for us.
SON Estrella Galicia brought in Man/Woman/Chainsaw to headline, a booking that turned the venue into an oven of noise, heat, and blissful chaos.
Walking through the gates, and it all felt normal. Beyond a few spraypainted slogans on the fences, there were no signs of the chaos that had unfolded the week prior. It just felt like Wide Awake. As it should.
Brighton’s showcase of the best up and coming artists opened its doors once again for three and a half days of sweaty rooms, sweltering beach stages and the excited buzz of discovering the best new music from across the globe.
Utilising three very unique venues and showcasing a variety national and international talent, Wanderlust allows more and more people to see Southampton at its best.
This mysterious EP from the equally mysterious the healing power of horses is absorbing, fragile and just a little bit special.
Across the 6 songs on ‘chrome is lullaby’, Her New Knife twist that blade deeper and deeper into your rotting soul, leaving their indelible bloody-handed print on your mental list of ‘sick up-coming bands’ and making sure they’re one of them.
Tramhaus’ debut album, ‘The First Exit’, is a remarkable testament to the band’s talent and vision, a snapshot of Rotterdam’s vibrant music scene, and a record that demands attention.
Having previously paired the lager with the likes of DEADLETTER, Prima Queen, and Swim Deep, even more refreshing than the beverages themselves is the opportunity to witness some of the UK’s best new alternative artists in such an intimate setting.